I love how you use the black and white to create a motif an then bring in the old movie footage too - really interesting! And it's also a really intriguing (and effective) song choice. It's got a tone that both fits and exists in total tension with the character and her journey. Particuarly evident when the song shifts gear at the same time Sarah puts the gun to her head. Great moment there.
I like how when the singer shifts into a more "spoken word" style, you cut to appropriately...candid shots? (That's not the word I'm looking for but I'm sure you know what I mean - you capture the tone of "talking" without having to use talkyface shots). It added a sense of levity and poignancy to see them so human.
no subject
I love how you use the black and white to create a motif an then bring in the old movie footage too - really interesting! And it's also a really intriguing (and effective) song choice. It's got a tone that both fits and exists in total tension with the character and her journey. Particuarly evident when the song shifts gear at the same time Sarah puts the gun to her head. Great moment there.
I like how when the singer shifts into a more "spoken word" style, you cut to appropriately...candid shots? (That's not the word I'm looking for but I'm sure you know what I mean - you capture the tone of "talking" without having to use talkyface shots). It added a sense of levity and poignancy to see them so human.
Thank you, anonymous vidder person!